André DERAIN (1880-1954)

Lot 18
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Estimation :
25000 - 35000 EUR
Result with fees
Result : 31 200EUR
André DERAIN (1880-1954)
Portrait de gueule d'empeigne, 1913 Oil on panel. Signed lower right. Oil on panel. Signed lower right. H_45 cm W_28,5 cm Provenance: - Jacques Lipchitz, Paris (1917) - Alfred Rome, Grenoble (1918) - J.-F. Simon, France (1918) - Gabriel Fournier, Paris (1941) - Georges Biessy, France (1944) - Richard Anacréon, Paris (1949) - sale Hôtel Drouot, Paris, 23 June, 2004, lot 28 - acquired in this sale by the father of the present owner - private collection Bibliography: - Bilbao, Bilbao Bizkaia Kutxa Fundazioa, Derain eskultore/escultor, 2006, illustrated in the catalogue np. (under the title self-portrait and incorrectly described as oil on canvas). - Carcassonne, Musée des Beaux-Arts et de Douai, Musée de la Chartreuse, Derain, sculpteur & photographe, 2007-08, illustrated in catalogue p. 63 (under the title self-portrait and incorrectly described as oil on canvas) A certificate of authenticity from Mrs Geneviève Taillade dated 13 June 2019 will be given to the buyer André derain André Derain was a French painter who, alongside Henri Matisse, co-founded the Fauvist movement. Born on June 10, 1880 in Chatou, Derain learned to paint by himself at an early age and met Matisse in a class taught by the symbolist Eugène Carrière. Derain and Matisse retired in the summer of 1905 to the Mediterranean village of Collioure, which became a retreat for artists such as Pablo Picasso and Tsuguharu Foujita. The two artists developed a style of painting that used artificial and luminous color patterns to depict realistic subjects. A year later, they showed their work at the Salon d'Automne where the critic Louis Vauxcelles ironically called them Fauves, which marked the beginning of the Fauvist movement. Derain received the Carnegie Prize in 1928 for his painting Still life with Dead Game, which brought him fame and allowed him to tour his work in the West in the 1920s. He later discovered modern art and the tone of his work became more classical. He was accused of being a Nazi sympathizer and died on September 8, 1954 in Garches, France.
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