Iron plate embossed in high relief, gold... - Lot 77 - Pierre Bergé & Associés

Lot 77
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Estimation :
5000 - 6000 EUR
Result with fees
Result : 10 400EUR
Iron plate embossed in high relief, gold... - Lot 77 - Pierre Bergé & Associés
Iron plate embossed in high relief, gold and silver damascened, representing Henri IV in bust. The king is clad in antique-style armour, his head facing the front, his bust turned slightly three-quarter to the right. Paris, attributed to Guillaume Dupré (Sissone, ca. 1576 - Paris, 1643) after one of his models, ca. 1605 Height: 18.2 cm - Width: 14.2 cm Portraits in relief executed in repoussé iron from the 17th century are quite rare, and those in gold- and silver-damascened iron are even more so. Only two representations of Henri IV of a very similar work are known in public collections: one with the sovereign in profile in the Musée d'Écouen (inv. Ec.1662, fig.a), another, also made as here after a model by Guillaume Dupré, in the Metropolitan Museum (inv. 40.13.3, fig.b). As the note from the French museum points out, we are dealing with a technique of repoussé and damascened iron that is specific to armoury and goldsmiths, fields in which the artists were among the most skilful in the art of shaping the metal. The reverse side of the plate is cold hammered to create strong reliefs on the face, which are then chiselled and inlaid with precious metals. The decorative effect playing on the burnished surfaces of the iron and the shiny clothing details in two different colours gives an appearance of great preciousness, the background quickly turned to gold bringing out the subject. Guillaume Dupré, during his long career, became the first sculptor of King Henri IV in 1611 following Barthélémy Prieur whose son-in-law he was. In the service of this sovereign and his successors, he was the great medallist of the kings and the court until the very beginning of the reign of Louis XIV. He was the author of a medal depicting Henri IV, accompanied in the background by Marie de Médicis, produced in 1605, which is identical, apart from a few details, to this plate in repoussé iron (Musée des Beaux-Arts de Lyon, fig. c).
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